Elvis is King. That’s the message he inserted oh-so-cleverly over and over on the cover of his first album. Of course, there was that other Elvis too, but Costello burst on the music scene full of himself and full of potential. His uber-catchy songs and stunning way with lyrics made him famous and infamous overnight and his fame took off despite his occasional efforts to derail that train. This book details his early years and rise to fame as well as many of the things that he did to mystify and sometimes alienate his listeners from then on, as well as his loves and likes along the way.

He is one of the most talented singer-songwriters ever. There, I said it. He’s made a few mistakes in his life and in his music choices, but overall the depth and breadth of his amazing career is matched by very few. This book tackles both the life and the music chronologically, and unfortunately ends too soon in the early 00′s with the somewhat forgetable North album. But each album from My Aim Is True up through North is discussed and matched with the corresponding events in his personal life (along with his bands and backup musicians). Sometimes the life part goes a little light but there is still insight into the personality and into the music.

In short, not a perfect book for EC fanatics but still a very good one and well worth reading.

From the amazon.com review:

Elvis Costello is undoubtedly one of the most important and challenging musicians of the last thirty years. Complicated Shadows paints a detailed portrait of an intensely private, complex, and creatively restless individual. It draws on a wealth of new research, including exclusive interviews with people from all stages of Costello’s life and career: classmates, friends, members of his early bands, former lovers, members of the Attractions, producers, and various collaborators. Complicated Shadows unearths many previously unknown details about Costello’s childhood in London and Liverpool and his early years as a struggling musician, as well as his turbulent personal life. It also reveals the circumstances surrounding his marriages to ex-Pogues bassist Cait O’Riordan and jazz singer Diana Krall, and the bitter breakup of his longtime backing band, the Attractions. Complicated Shadows contains a full examination and analysis of the entirety of Costello’s vast and varied musical output, both in the studio and on the stage.

And from Publisher’s Weekly:

The progeny of a trumpet player grandfather and a big band vocalist father, Costello was destined to be a star musician by osmosis, if not genetics. Born Declan Patrick MacManus in 1954, the future Buddy Holly clone was raised by a West London family understandably supportive of his early rock leanings. Though “gawky and comically knock-kneed,” the young Brit was performing in Liverpool clubs by 18, honing his anti-establishment persona by 22 and on the verge of conquering America by 25-a lightning fast rise deftly recorded by freelance journalist Thomson. A knowledgeable critic, Thomson skillfully interweaves articulate criticism of Costello’s musical evolution into his biographical narrative, and unsentimentally details the thrice-married lyricist’s dips into infidelity, drug use and egomania (including the artist’s infamous song switcheroo on Saturday Night Live in 1977 and his unceremonious firing of his back-up band, the Attractions, in 1987). And while Thomson assumes that readers will have a certain familiarity with the composer’s oeuvre and influences, he also writes clearly enough for Costello novices. And he’s not without a sense of humor; while discussing the heyday of glam rock, he explains that Elvis wasn’t a believer because he had “neither the physique nor the eyelashes for that.” In all, this is an engrossing and lively account of an equally animated personality.

Have you read it? Do you have an opinion? Are you Elvis’ gardener? Leave a comment below.

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First off, I really like this band. A lot. Talking Heads took pop, punk, art, funk, and quirkiness and cooked up something unique and innovative, while at the same time catchy and infectious. No one else sounds like them. They pushed musical boundaries with nearly every song, but the music was so good it would be stuck in your head for weeks.

Now, on to this biography. The author has a casual style that is kind of fun but also can get kind of annoying. He refers to women as “chicks” (does anyone still do that?). And, while there are plenty of facts about the band and it’s members, there is also an obvious bias to his opinions. He gives a lot of time to the tensions between David and Tina, and places that as the reason the band quite working together. This may be true, there are quotes and insights from friends and others, but there could have been more contributions from the band members themselves. There are some nice photos in a center section, though I of course wanted more.

So the style wore on me a little, but I did learn much more about the band and it’s individual members, from the very beginnings of the group. I picked this book up used and I am glad I bought it. Was it a great bio? Maybe not. But if you like to know the story behind the music, then I would still recommend it. You’ll learn at least a little, maybe a lot, about the lives of David, Tina, Jerry, and Chris and what brought them together. And why they stopped being Talking Heads.

From amazon.com, here are a couple mini-reviews

From Publishers Weekly

Who better than a novelist-cum-music journalist to depict “a group that was completely of its time and totally outside of it”? From the Talking Heads’ individual roots to their electrifying collaboration and breakup, Bowman (Bunny Modern) portrays brilliant odd-bird David Byrne, even-keeled and Harvard-educated Jerry Harrison, happy-go-lucky Chris Frantz and enigmatic Tina Weymouth, who told Bowman: “I have to rewrite your book for you…. You know nothing about us.” Or maybe he knows more than she’d like? Bowman interviewed them (and 50 others) and studied their every mention e.g., New York Times writeups, Andy Warhol’s diary to understand how they got the nation singing “Psycho killer/ Qu’est que c’est/ fa fa fa…. ” While their dysfunctions intrigue, their unconventionality, hilarity and creative synergy fascinate. David, Chris and Tina met in art school in the 1970s and later shared a New York City loft. Months after Tina learned bass, the trio opened for the Ramones at CBGB, where a record exec pounced. Rounded out by Jerry’s keyboard, they shook underground and mainstream audiences, tempering curious lyrics about religion and politics with infectious melodies. They experimented with African polyrhythms and funk while maintaining New Wave followers. They split up in 1991 while “still sound[ing] like the Next New Thing.” Bowman’s funny, astute book tells how they pulled it off and why they pulled the plug. Bibliography, discography and filmography included; photos not seen by PW. (Apr.) Forecast: No other Talking Head-ography covers the breakup or beyond. Byrne’s forthcoming album will boost reader interest. Bowman’s cult-crit banter will appeal to New York music and art scene followers. - Copyright 2001 Cahners Business Information, Inc.

From Library Journal

A freelance music and culture journalist (New York Times Magazine, SPIN), Bowman here chronicles minimalist funk-rock band Talking Heads with their cooperation. He starts with character sketches of the quartet: the quiet, complex, blue-blooded bassist, Tina Weymouth; her artistic drummer-husband, Chris Frantz; the eccentric, nerdy, performance-artist-turned-singer David Byrne; and the Harvard-educated, ex-Modern Lover Jerry Harrison. Throughout, he places the band which formed at the Rhode Island School of Design in 1974 in the context of New York history and contrasts them with their Gotham art-punk contemporaries (e.g., Patti Smith, Television, and the Ramones). His deft analysis of how his subjects intersected with the avant-garde scene of Andy Warhol, composer Philip Glass, dancer Twyla Tharp, artist Jean-Michel Basquiat, and ambient Dadaist Brian Eno sets his work apart from Jerome Davis’s Talking Heads (1986. o.p.) and David Gans’s Talking Heads (1985. o.p.). Recommended for all popular music collections and indispensable for Talking Heads fanatics, as this is the only bona fide biography in print. Dave Szatmary, Univ. of Washington, Seattle - Copyright 2001 Reed Business Information, Inc.

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Have you read this book? It’s by Philip Norman and I finished it recently. I’m a pretty big Beatles fan but I still learned a lot from this book. It starts with when they first met each other and goes chronologically through the breakup and a little after. It’s divided into sections of their career as a group: Wishing, Getting, Having, and Wasting.

The four of them are not saints and all of them did things they might want to take back, and of course the strain of their huge fame took a toll on their relationships within the group and also without. The author has some biases and opinions that are not hidden. As with most biographies, you can tell fact from opinion and disregard the opinion if you want to.  He does have an interesting writing style and the sheer amount of information makes it well worthwhile. There’s John the caustic but gifted one, Paul the sometimes sappy but melodic one, George the decent guitarist who comes into his own as the group begins to fall apart, and Ringo the good time guy who was everyone’s pal and had a fun ride. Is this the definitive book about the Beatles? Maybe not but it’s got a lot. Is it unbiased? Not all the time. Is it a fun and entertaining read with a LOT of great stuff about the fabs? Yes!

Here’s what amazon.com has to say about the book:

From their primitive first chords to the huge success of the Beatles Anthology, the Beatles have been an integral part of our culture and our consciousness for over thirty-five years. Shout! The Beatles in Their Generation tells the extraordinary story of the rise of four scruffy boys from Liverpool to beings more adored, more influential — and in many ways more troubled –than any in the history of popular entertainment. It is also a penetrating social history of our time, based on an incredible wealth of material — eyewitness accounts, interviews, stories withheld from the press and public — that was available exclusively to the author.

Rich in detail, anecdotes, and background, with 100 stunning photographs, Shout! takes us from the wild, often comical days at the beginning in Liverpool to the life and death of Stu Sutcliffe, the brilliant boy known as the “fifth Beatle”; from the psychedelic triumph of Sergeant Pepper’s Lonely Hearts Club Band to the band’s embrace of Indian music and spirituality; from the brilliantly unified sounds of Abbey Road to Paul’s desperate attempts to form a final comeback concert.

Riveting, Enlightening, Heartbreaking, Shout! Is A True Epic.

If you’ve read it, or not, and have an opinion, then why not leave me a comment below!

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I know. How can you possibly pick the top 100 songs by the greatest group ever? Well, the authors do it, and most of the picks are pretty good. One thing I really liked about the book, they devote about three full pages to each of the top 100 songs. That includes detailed notes about the recording of the songs and the different studio takes. Also, they detail “who played what instrument(s)” for each song. Some of those may surprise you. There are also trivia items about each song, which a true Beatles fan will find fascinating.

As for their rankings, well, that is very subjective. If you want to know the top 10, well I could probably post that here. But don’t you like suspense? Here are a few sample ratings from the book: “I Am The Walrus” is number 11. Shouldn’t it be higher? “She Loves You” is number 15. Should that be lower? “Yesterday” is number 4. “Lovely Rita Meter Maid” is number 70. “Sexy Sadie” is number 37. “Back In The USSR” is number 81. You get the idea, but do you agree? And don’t forget the world of other useful information in this book.

Buy the book | What are your top ten Beatles songs?

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OK, it’s an unusual premise but it really works here. I recommend this book.

From Publisher’s Weekly:

This clever and inventive tale works on three levels: as an intriguing science fiction concept, a realistic character study and a touching love story. Henry De Tamble is a Chicago librarian with “Chrono Displacement” disorder; at random times, he suddenly disappears without warning and finds himself in the past or future, usually at a time or place of importance in his life. This leads to some wonderful paradoxes. From his point of view, he first met his wife, Clare, when he was 28 and she was 20. She ran up to him exclaiming that she’d known him all her life. He, however, had never seen her before. But when he reaches his 40s, already married to Clare, he suddenly finds himself time travelling to Clare’s childhood and meeting her as a 6-year-old. The book alternates between Henry and Clare’s points of view, and so does the narration.

and from Booklist:

On the surface, Henry and Clare Detamble are a normal couple living in Chicago’s Lincoln Park neighborhood. Henry works at the Newberry Library and Clare creates abstract paper art, but the cruel reality is that Henry is a prisoner of time. It sweeps him back and forth at its leisure, from the present to the past, with no regard for where he is or what he is doing. It drops him naked and vulnerable into another decade, wearing an age-appropriate face. In fact, it’s not unusual for Henry to run into the other Henry and help him out of a jam. Sound unusual? Imagine Clare Detamble’s astonishment at seeing Henry dropped stark naked into her parents’ meadow when she was only six. Though, of course, until she came of age, Henry was always the perfect gentleman and gave young Clare nothing but his friendship as he dropped in and out of her life. It’s no wonder that the film rights to this hip and urban love story have been acquired.

Anyway, check it out. If you’ve read it then let me know what you think….

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For a devoted fan, this book is a must. You will learn a lot about his creative process and the way he works with the other people in his films.

From Amazon.com:

Fans of Woody Allen have long waited to hear him tell us in his own words about his life, his tastes, and his films, but until recently he has been reluctant to give lengthy interviews. This book is the conversation we’ve been waiting for, a dialogue with Stig Bjorkman in which Allen speaks openly about himself and his art. Bjorkman invites the writer/director to talk at length about his lesser-known movies as well as his famous ones. We also learn about Allen’s filmmaking technique, his feelings about his stock company of actors, his influences, and why Stardust Memories and The Purple Rose of Cairo are his two personal favorites.

I love Stardust Memories too! If you are a big Woody fan like I am, you will probably enjoy this book.

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This one starts right off. No, really. A few pages into it the whole premise happens. And the rest of the book is just what happens after. But King develops the characters reasonably well and there is enough subsequent action and suspense to keep the reader reading. It might have drug a little a couple times but not much and it made for a few late nights reading when I didn’t want to stop.  If you like Stephen King then I would recommend it. My favorite of his is still Salem’s Lot, although I read it many, many years ago. Hope I am remembering it right! 

Anyway, here’s what Publisher’s Weekly had to say about Cell:

What if a pulse sent out through cell phones turned every person using one of them into a zombie-like killing machine? That’s what happens on page six of King’s latest, a glib, technophobic but compelling look at the end of civilization—or at what may turn into a new, extreme, telepathically enforced fascism. Those who are not on a call at the time of the pulse (and who don’t reach for their phones to find out what is going on) remain “normies.” One such is Clayton Riddell, an illustrator from Kent Pond, Maine, who has just sold some work in Boston when the pulse hits. Clay’s single-minded attempt to get back to Maine, where his estranged wife, Sharon, and young son, Johnny-Gee, may or may not have been turned into “phoners” (as those who have had their brains wiped by the pulse come to be called) comprises the rest of the plot. King’s imagining of what is more or less post-Armageddon Boston is rich, and the sociological asides made by his characters along the way—Clay travels at first with two other refugees—are jaunty and witty. The novel’s three long set pieces are all pretty gory, but not gratuitously so, and the book holds together in signature King style.

Have you read this book? If so (or if not), what do you think?

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This one covers ground that is a bit close (or could have been), a woman dying from cancer and in terrible pain, so she asks her husband to help end her life. And in this case, he does it for her. So, how far is too far if the act is out of love? And then there’s the police chief, in a comfortable marriage. That is, until a newcomer threatens to change everything. It’s a good story and a compelling read. As with the other two of her books, I enjoyed it.

Here’s what Library Journal had to say about it:

Cameron MacDonald is both the chief of police in the Massachusetts village of Wheelock and the reluctant figurehead chieftain of the MacDonald clan, which immigrated there in the late 1700s. Thus it is to Cam that his cousin Jamie turns after he accedes to his suffering wife’s wish and helps her to die. Cam, who longs to travel and free himself from his family obligation, arrests Jamie for first-degree murder but then hires a lawyer for him. On that same day, exotic young Mia wanders into the village and is hired by Cam’s wife, Allie, to help out in her florist shop. Cam and Allie have reached a comfortable plateau in their marriage, but both sense that something is missing. Mia and Cam are irresistibly drawn to each other, she to his established place in local society and he to her itinerant lifestyle. The story explores love and the intricate balance of give and take that marriage demands. Picoult offers a well-written novel with touches of spirituality that are reminiscent of Alice Hoffman’s stories. Highly recommended for most collections.

Have you read it or maybe other books by her? Leave me a comment below!

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In the book, our beta-male hero Charlie Asher all of a sudden finds himself to be, well, Death. Or at least a “merchant of death”. Hey it’s a dirty job but someone’s gotta do it. There’s a wild cast of characters and the story takes you on a  ride. I can’t really do the book justice, so I’ll post this mini-review from Publisher’s Weekly:

“Cult-hero Moore (The Stupidest Angel) tackles death—make that Death—in his latest wonderful, whacked-out yarn. For beta male Charlie Asher, proprietor of a shop in San Francisco, life and death meet in a maternity ward recovery room where his wife, Rachel, dies shortly after giving birth. Though security cameras catch nothing, Charlie swears he saw an impossibly tall black man in a mint green suit standing beside Rachel as she died. When objects in his store begin glowing, strangers drop dead before him and man-sized ravens start attacking him, Charlie figures something’s up. Along comes Minty Fresh—the man in green—to enlighten him: turns out Charlie and Minty are Death Merchants, whose job (outlined in the Great Big Book of Death) is to gather up souls before the Forces of Darkness get to them. While Charlie’s employees, Lily the Goth girl and Ray the ex-cop, mind the shop, and two enormous hellhounds babysit, Charlie attends to his dangerous soul-collecting duties, building toward a showdown with Death in a Gold Rush–era ship buried beneath San Francisco’s financial district. If it sounds over the top, that’s because it is—but Moore’s enthusiasm and skill make it convincing, and his affection for the cast of weirdos gives the book an unexpected poignancy. “

So yeah, what’s not to like? The book is Christopher Moore’s “A Dirty Job”. It was a very enjoyable read and now I need to pick up another book by Moore. If anyone has any suggestions let me know…

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There are lots interviews with his friends, usually with him present to wisecrack and look back fondly. The book presents Groucho in his later years and he knows he is old and doesn’t have a lot of time. He gets a little down here and there, as would be expected. So he looks back on his long, celebrated life, and tells us all about it. There are also guest interviewers, who have great discussions with Groucho. These include Woody Allen, Bill Cosby, George Burns, and many more.

It was a little sad in that Groucho was near the end of his life. But his mind was sharp and he was clever and smart. In short, I liked the book and it just reinforced what I already knew, that Groucho was one of the funniest people ever.

Have you read it? Do you have an opinion?

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